2005 WRITING COMPETITION - THE WINNERS

In our writing competition we gave visitors a a chance to win cash prizes by writing a poem or a short piece of prose about their favourite Senhouse treasure. There were three classes - for over 18s, age 12-18 and age 7-11. Here are the winning entries.


Click here: 

The Water Nymphs

The Pin-up Girl

The Gatekeeper

The Serpent's Tale

The Lost Brooch


Top

 

The Battle 

Eyes searching, snouts quivering,
The wild boars thundered past.
Coats bristling, and hearts thumping,
They had run until the last.

On and on the two foes ran,
The wind streaking through their hair.
Up and up the two boars climbed,
Like rugged, grizzly bears.

With clashing tusks the two boars fought,
Like gladiators in days of old.
As one charged forward, one retreated.
Fortune would favour the bold.

Like Roman emperors before him,
The victor has his throne.
His true courage and valour
Immortalised in stone.

Alex McAleavy

 This fragment of a building stone shows a wild boar running to the left, tusks and curly tail carefully outlined, above a fragmentary inscription. The boar, emblem of the 20th Legion, has been adopted as the emblem of the Senhouse Roman Museum, and is known as Humphrey.


Top

 

 

 

Water Nymphs 

The hidden stream slowly trickles
Underneath the greenery
Watched by the water nymphs
And their god of old.

Faces gone, but still defined
Perched upon the scenery
Carved to show the water spirits
Many ages ago.

And I wonder of the people
That made these things in a distant past
That cared so much for their nymphs and gods
That these things, ‘till now, can last.

Fiona Money

The Water Nymphs 

Trickle, trickle goes the soft sound
of the water flowing down the rocks.

The untidy flowers spilling out from
Every corner in a beautiful array.

The Water Nymphs must be happy
surrounded by all types of nature.

Though perhaps they are upset, being
kept in a museum where strange people
stare at them.

Maybe they dream of a far away land
where their family live, happily and
peacefully.

To most people they just seem like
pieces of stone.

But when someone special comes along,
maybe - just maybe they may give a
fraction of a wink…

Jodie Sarah Pearce

 

 


Top

"The Pin-up girl" 

They’re not so clever, these historians: I’ve posed like this for well over a thousand years and now a museum notice has the cheek to tell YOU who THEY think I am - Venus, goddess of love, universal mother, creator of all livings things etc etc. I kid you not! It also says a similar figure was carved on the Antonine Wall. Similar figure... my arse! Excuse me, but that’s a bit of my anatomy that’s definitely unique — see for yourselves! And what’s this guff about me being “part of a gate structure perhaps with a similar figure (Mars?) carved on a block on the right.” Sentimental tosh. No Venus, no war god lover or gate post. Though believe me; the real story’s far more intriguing.

Around 250 AD a young girl called Regina was kidnapped and became a house slave when her Solway village was taken by the Romans. She was treated far better than many though and was never whipped or chained. Surprisingly this had a lot to do with her wondrous waist length hair. Her mistress, Popillia, had fair wispy locks, you see. She was wife to Lucius, a young tribune, one of the bigwigs at the Stenhouse fort. Now Regina’s beautiful black hair was her downfall at first but then turned out to be her success, for one day to Regina’s horror she was told it would all be cut off to make a wig for Popillia! It was the rage, you see, amongst the Roman ladies to appear in the forum in beautiful wigs, mainly made from slave girls’ hair. Regina wept and begged but soon she was shorn like a lamb and felt so ashamed she ran away.

But an amazing thing happened: none other than Lucius himself found her hiding in the stables and apologised! He gave her gifts as a consolation - a fine wool stola and some golden bracelets which she hid away He was a sensitive man for a Roman. Regina had noticed he loved art, sitting in his leisure hours around the villa sketching and making pretty mosaic pictures from coloured tesserae. He once gave her one of the little sea blue tiles which he said matched her eyes and she kept it in the bulla round her neck with other lucky charms. He taught her some words of Latin too and one feast day even smuggled her bits of roasted peacock and a dormouse stuffed with pine kernels! Lucius took to sketching Regina when Popillia had no need of her and had gone to the forum or amphitheatre to meet with her friends. And one day he asked to draw her naked. She was not ashamed, for she trusted him and was proud of her body. Regina stood confident in her beauty, one hand on her hip and one up to her hair, which had grown back thick and lush as a crow’s wing. Now when she accompanied Popillia to the market place and saw her strutting in the black wig, she just smiled.

Some time later, Lucius arrived at the villa with Topher, the stonemason’s apprentice who struggled wth a cart on which lay a heavy stone frieze. It was to be set in the villa’s fine new bathhouse wall and she could scarcely hide her shock when she recognised one of the figures on the frieze. It was of a naked girl with one hand on her hip and the other up to her hair, an exact copy of Lucius’ drawing! “Now you will be remembered for all time,” he told her later and she cried. But she cried more when soon after Lucius left the fort to help suppress an uprising of barbarous Picts that had swarmed down to Hadrian’s Wall near Vindolanda. He and many of the legion never returned and she learned later he’d been killed but had received the Distinguished Conduct Medal for his bravery. Lucius, whilst sketching her, had sometimes talked of leaving the army and going south to Gloucester where there was a retirement colony for Roman soldiers. He said she would accompany him and when she was 30 would be made a freewoman. And then? All dreams.

But I am not a dream and stand proud here for eternity just as Lucius said. No Venus perhaps, but in future when people stop to wonder who I am, please tell them and those histonans the truth about “The Pin-up girl”.

Jenny Harrow

The Gatekeeper 

Lonely woman
dressed in stone,
bound to ancient gates of Rome;
gentle mother,
faithful wife,
keeper of a sacred life;
never restful,
ever yearning
for your warrior’s returning.

Sultry woman
carved in red,
mistress of a mythical bed;
fickle lover,
radiant muse,
never any man refuse;
beautiful legend
born of foam,
unique image far from home.

Mystery woman
cased in time,
keepsake of an erstwhile line;
epic tale,
forgotten story,
souvenir of Roman glory:
destined to
abide alone,
trapped within this block of stone.

Alison Backhouse

 Relief showing a naked female figure, standing next to the double gateway of what is presumed to be a Roman fort gate.  A similar figure on an inscribed stone from Croy Hill on the Antonine Wall is identified as Venus.  The gate structure is characteristic of second- and third-century stone forts - the sculpture is unique, and may itself have formed part of a gate structure, perhaps with a similar figure (Mars?) carved on a block to the right.

Pin-Up Girl 

Hand on hip, and hand on hair,
The search is over, now she’s there,
The pin-up girl stands alone,
In the only stance she’s ever known,

Onlookers laugh at her with scorn,
As she stands naked as the day she was born,
Gazing up at the roman fort,
For many years that she has sought,

She’s searched for it high, Searched for it low,
At last it’s within a stone’s throw,
But now she’s frozen ever more,
Standing at the fortress door.

Anne Rachel Money

 

Top


The shaft from a very substantial altar has been recarved into a tapering octagon, which expands towards the top to give a phallic shape. On one face (illustrated here) a crested snake writhes up the full height of the shaft.

On the other side of the stone the shaft is topped by a broad oval human face, probably connected with the cult of the head. Celtic warriors collected the heads of battle-victims and kept them in shrines or as trophies at home, to display to guests. A pair of confronting snakes, broken away since the stone was discovered in 1880, met over the forehead, and below the chin are two confronting, scaley fish.

The Serpent's Tale

‘Thanks for coming to see me today. You know, stories about Adam and Eve and that little misunderstanding with the apple, have really given me a bad press. Word got out that I was an unreliable pet. But listen, before that news broke I was really something, top of the pack, head and tail above the rest.

Now, let me tell you how it all began.

Nearly two thousand years have passed since the Roman soldiers cut this red stone from the cliffs. One man, tired of life as a soldier, shaped my body into the grains of sandstone. As he carved he asked me to make his life better because soldiers worked hard and lived very dangerous lives. When people saw how beautiful I was, they made him famous. His work was celebrated and his time was spent carving many more stones. He never fought again.

Many more soldiers came to visit me, for I held an altar to the Roman gods. They prayed to Jupiter to protect them in battle and often sacrificed a lamb in his name. Its blood trickled down my body, but don’t worry - the famous Cumbrian rain soon washed it away.

The soldiers won many battles, but times changed and I suppose they must have lost a few too. Then my visitors were women, dark haired Celtic women with painted faces. They chanted and sang around me, praying for a son. I never knew whether the sons came - perhaps they did.

Now I stand here in the museum, alone except for you.

Reach out and touch my tail, go on, feel free.

What would you ask me for?’

Julie Howell

Snake climbs out of the pit and crosses the sand.
Eagle spots him and snatches him up,
Ravenous.
Pike calls from his underwater lair surprising
Eagle who drops snake.
Now pike is famished, gaping wide.
Terrified snake lashes his tail,

Scaring pike who spits him back
To eagle who swoops and scoops him up
Over a great lost desert. Snake lashes his tail again.
Now eagle drops him flat on a stone where he plops through like a drop of rain.
Even now you can see snake’s image climbing up the stone.

Finnegan Douglas Over

Serpent
   stone
         Sunset
        red
                 Writhing
                 snake
                     Vacant
                        head
      
                              Special
                              shape
                                    Wonder
                                why?
                            Warding
                off
                The evil
        eye
  
    Head
      surrounded
  Fish and
snakes
  Sandstone
  viper
        That's
        all it
          takes

            to
                make
                    a
                      serpent
                        stone

Fiona Money

Top


            The Lost Brooch

 

The Romans were invading. They had settlements all along the British coast. The Celts were fighting back, but they were not winning. There was one settlement that grew bigger on the north-west corner of England, and if you looked across the water you could see Scotland, on a good day. There was one family who had come across the seas to help the Roman army. The father of the family was Brutus and he was a main leader of the army. He had a wife called Octavia and a daughter Alauna. They enjoyed life in Britain and were planning on staying.

It was Alauna’s birthday. She was very excited because her father had promised her a present. The day came and she received a beautiful brooch. It was made of bronze and had scrolls and wonderful designs on it. It was perfectly round and she loved it. She wore it each and every day, to show that she was so proud. But it wasn’t to be hers much longer.

Alauna was out walking down the main road of the vicus, out to buy some fish. Suddenly, she thought she heard a stampede. She turned around. It was her father’s army heading towards her. They were near the edge of town and, when Alauna looked ahead again, she could see the Celts in the distance. She heard a voice call ‘CHARGE’ and ducked into an alleyway as the army ran past. She saw her father’s face. As soon as the soldiers passed, she ran after them. She was going to watch the battle from a safe place.

Alauna hid in a ditch just outside the vicus. It was not very comfortable because the bottom of the ditch was full of sticks and sharp stones. She watched and waited. She was looking at her father when she suddelnly noticed a man creeping up behind him with a sword in his hand. Alauna guessed what the man was trying to do and took off her shawl. She gathered together as many stones as she could in it and ran as fast as she could after her father. She hit the man on the head with the stones wrapped up in the shawl. The man fell down and lay on the ground, unconscious. By now, the battle had ended. Her father was so proud.

But while this was happening, her beloved brooch had fallen off and been trampled into the earth. As she put back her shawl back on she noticed it was gone. She felt sad but her father reminded her that she had just saved his life. She had lost something but saved someone!

Hundreds of years later, a group from the Roman Museum were searching in the fields behind the Museum. The Romans were long gone. Suddenly one of the searchers cried out ‘I’ve found something.’ They carefully dug up the little brooch and put it in the Museum, in a glass cabinet. It was catalogued and even written about. But little did they know that it had belonged to a young girl called Alauna who had saved her Roman father.

Lucy Smith

VISITING THE MUSEUM

WELCOME

EVENTS

PUBLICATIONS


FRIENDS

 

 

Hadrian's Wall

OTHER SITES OF INTEREST

Maryport

Cumberland & Westmorland Antiquarian
& Archaeological Society